Sci-fi film Dune tops US box office for second weekend
Slasher film Halloween Kills came in second on the list.
After a record-breaking start, October's box office closed out quietly this weekend with Dune repeating at number one and two prominent genre newcomers, Last Night In Soho and Antlers, stumbling.
Whether it's due to Halloween falling on a Sunday, too many new options or simply a lack of enthusiasm, moviegoing audiences seemed to have other plans this weekend. Notable exceptions are the latest My Hero Academia and the new Wes Anderson pic The French Dispatch.
First place still went to the bigger budget and wider release Timothee Chalamet film. In its second weekend in theatres, Dune, which is also available on US streaming service HBO Max, grossed an additional US$15.5 million, according to studio estimates on Sunday. Although down a steep 62 per cent from its debut, the ticket sales were enough to give it one more week atop the North American charts.
With a production budget of US$165 million (not including marketing and promotion), Dune has now grossed $69.4 million in North America and $292.1 millon globally. Warner Bros and Legendary last week confirmed plans to go ahead with a sequel that is expected to open exclusively in theatres in 2023.
Halloween Kills, in its third weekend, placed second with US$8.5 million. The penultimate film in this modern trilogy has now grossed US$115.1 million globally.
Edgar Wright's Last Night In Soho, meanwhile, opened in sixth place. Playing on 3,016 screens, the stylish thriller distributed by Focus grossed an estimated US$4.2 million. Thomasin McKenzie stars as a modern-day fashion student who at night dreams increasingly realistic dreams of Anya Taylor-Joy's aspiring singer in the 1960s.
"There are few bigger champions of the theatrical experience than Edgar and we couldn't be prouder he has made Focus his home," said Lisa Bunnell, Focus' president of distribution.
Scott Cooper's Antlers, about a mythical beast terrorising a blighted Oregon town, also earned an estimated US$4.2 million from 2,800 locations. The Searchlight-distributed horror stars Keri Russell and Jesse Plemons.
"Obviously, we hoped for a little more but we went up head to head against Last Night In Soho, another really good genre film," said Frank Rodriguez, Searchlight's head of distribution. "They may have cancelled each other out."
But he's optimistic going forward since next weekend's big releases include the Princess Diana film Spencer and the Marvel epic Eternals, and Antlers has a different audience.
One of the brighter spots of the weekend was The French Dispatch, also distributed by Searchlight, which expanded after a limited debut and made US$2.8 million from only 788 total locations. In 10 days of release, it's made US$4.6 million.
"We're still ecstatic about it," Rodriguez said. "It's amazing to see art house theatres who haven't seen numbers like this in 18 months finally starting to see people coming out ... We are helping to open up the doors to art house and specialty theatres."
Although the weekend was muted, October has become the highest grossing month of the year with total grosses expected to net out around US$625 million. The previous high-water mark came in July with US$583.8 million.
"October became a blockbuster month by virtue of the unusual nature of the pandemic. So many big movies moved into October," said Paul Dergarabedian, the senior media analyst for Comscore. "It surpassed July. That never happens."
Things aren't quite back to "normal" yet. For comparison, total grosses in pre-pandemic October 2019 were around US$781.6 million and in 2018 were US$830.8 million. But, Dergarabedian said the robust October 2021 box office has created a momentum that should continue through the end of the year.
"This sets up a final three months of the year that feel more like summer than summer did in 2021," he added. "Audiences follow the movie no matter what month they're in. The movies define the month – the month doesn't define the movies."