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Tchotchkes finding: There's a vibrant thrift store marketplace on Instagram

Instagram stores that specialise in knickknacks are booming. Blame the pandemic.

Tchotchkes finding: There's a vibrant thrift store marketplace on Instagram

(Photo: Instagram/figlibrary)

Last year Maia Ruth Lee, a 38-year-old artist, did a lot of thrift shopping out of necessity. She and her husband, Peter Sutherland, also an artist, decided during the pandemic to give up their apartment and art studios in Manhattan’s Chinatown, put everything into storage and move to Salida, Colorado.

“I love thrifting,” she said. “It’s something that has always been where I get inspiration for my artwork. I was getting plates, silverware, cups, mugs. But once we got our basics, my husband was like, ‘No more. We’re good.’”

So she opened an Instagram store called the Spiral, where she sells objects she finds.

“I thought maybe I could sell these interesting things,” she said. “It took off right away.”

Tchotchkes can include the enduringly chic, as well as Instagram chic.

Some items are examples of the aphorism that one man’s trash is another man’s treasure, with prices that some may consider a steal and others, well, a bit ridiculous. For those with not enough used plastic products in their lives, Mysticmarketfl sells a yellow pitcher for US$12.

These are not Salvation Army or Goodwill prices, where a glass may be US$2; customers are paying a markup for the eye of the seller.

“I bought a red ceramic angel because it was grotesque and beautiful,” said Camille Okhio, a 30-year-old art and design historian who lives in Brooklyn, of her first acquisition from the Spiral. “It’s now hanging in a corner of my living room. Maia understands nostalgia and plays into it in the healthiest way. She sells old cannons alongside cassette players, candlesticks and weird little vases.”

There are sites like Etsy, First Dibs, Object Limited, the Real Real and Depop, where sellers can list items of various degrees of fanciness.

“You can use all those apps, but nothing is as good as Instagram,” said Anna Gray, 32, owner of Club Vintage, a roving vintage pop-up production company. “If you’re saving and categorising by collection, you can have a pretty good list of vendors, so you can tell yourself, ‘I know I like this vendor for Depression glass and I know there’s something I will want later.’”

But even if most Instagram shoppers are not as organised as Gray, that’s all right, too.

“The impulsive aspect is important,” said Gray, who recently bought a set of green vintage tumblers from home wares shop Betsu Studio (US$50, with shipping). “They just have to be cheaper than West Elm and Crate & Barrel, even if your pieces are more special and one of a kind.”

Blame the pandemic-era focus on our homes, which now extends to what Gray calls “the vision of the perfectly curated tchotchke area.”

“It’s the fastest way for someone who comes to your home to understand your psyche,” she added.

Part of the allure of these Instagram thrift stores is the thrill for people who lack the time or interest to do it themselves.

“You’re paying for someone to curate it for you,” said Gray, who sold a glass carrot from Instagram store Rosemary Home at a recent event. “Someone doesn’t always want to spend hours scrolling through Etsy to find a glass carrot.”

These are not Salvation Army or Goodwill prices; customers are paying a markup for the eye of the seller.

Tchotchkes can be a kind of design gateway drug.

“There is no limit to how many tchotchke things you can own,” said Annie Auchincloss, the home buyer for the MoMA Design Store in Manhattan. “It’s just really endless, what can become an objet. A beautiful postmodern design teakettle can be totally impractical to use but can be displayed on a mantel.”

“But I do wonder what people are seeing when they see a brown-and-yellow 1970s diner dinnerware set, and it sells moments after it posted,” Auchincloss added. “Is it how it’s photographed? Is this exactly what they’re looking for?”

Instagram purveyors are “a version of a mom-and-pop store,” she said. “I’m not sure if it was spurred by the pandemic or just Instagram individualism, but now our homes are representative of who we are and our own style. Our most basic items like drinking tumblers, serving plates, even our flatware we don’t want to buy the CB2 or restaurant supply version. We want something that speaks to the personality that I’m infusing the rest of my home with, that singular story I’m creating.”

The many nods to cartoons (Winnie-the-Pooh and Tigger glasses, US$18 at Starlight Vintage Emporium); to so-called granny-chic or grandmillennial style (hand-carved duck figurine with red bow, at opalessence antiques); or to bygone items (so many plastic phones) all suggest a market for childhood nostalgia.

“It’s optimistic and cheerful,” Auchincloss said. “But then I also have this theory: It’s these economic, arrested-development millennials who have been hit by a recession and a pandemic and are in this perpetual state of childhood, returning to parents, being like, ‘Can you help me?’”

Selling on Instagram is a kind of entrepreneurship championed by young women whose lives have changed during the pandemic: Moving or losing employment.

“I’ve been going to estate sales for 20 years,” said Amanny Ahmad, 32, an artist and chef in Denver and the proprietor of Puppy Pillow. “Typically I’m the youngest and often the only woman. Now there’s a line out the door, and a lot are younger women buying things to sell for their Instagram stores.”

The competition has bred a bit of secrecy. “I don’t ever give up my specific sources,” said Emily Crist, 31, who runs her store, 7 Layer Home, out of her apartment in Brooklyn. “I check Craigslist, Facebook Marketplace, thrift stores. I do some estate sales.”

In one of her tightly guarded locations, she found a vintage teal Handi Holder carton handle, which she priced at US$18.

“I was so excited; it’s such a quirky old thing,” Crist said. “Who needs a holder for their milk? I got a lot of comments over it saying, ‘My grandma used to have it’ or ‘This is so weird.’”

Crist doesn’t make enough from her Instagram store alone to support herself.

“Things have slowed down a lot since June,” she said. “Maybe people are out and about or maybe it’s the algorithm.”

Courtney Novak, 41, is beginning to channel her Instagram store, Theodora Home, into a different sort of job.

“I’ve been commissioned to find bigger pieces: furniture, vintage art, design consulting for interiors,” she said. “I want to be building a home business that is not just small objects.”

Another Instagram seller, Vanessa Kowalski, started her store, Fig Library, last November and has paid the rent on her apartment in Brooklyn quite a few times from her earnings. Two of her most loyal customers Charles O’Leary and Meghan Herzseld, both 27 are best friends from high school and live together nearby. They take turns buying each other gifts.

“I bought a porcelain toilet that we learned is supposed to be an ashtray,” said O’Leary, a manager for an arts nonprofit. “I spent US$100.”

Herzseld, who is a manager at an acupuncture clinic, said: “I like to collect a lot of low-priced things, like US$20. When we get into US$30, US$40, I am questioning my need for more things.”

O’Leary, who has a “less rigorous set of criteria,” said, “I am imagining the hottest person that I want the love of, or trying to imagine my greatest critic looking at it.”

Herzseld took a more sanguine view. “Whether we’d love it or not, it becomes loving because it’s offered,” she said. She mentioned a porcelain dachshund they bought together from Fig Library.

“It’s currently sitting on magazines, holding our spare key, looking out the window,” she added with a sigh. “My beautiful object.”

By Marissa Meltzer © The New York Times.

This article originally appeared in The New York Times.

Source: New York Times/yy